Maria Stuarda / Met Opera 2013

I saw the live performance of this (twice!) and I was not sure what my reaction to the DVD would be.

vlcsnap-2014-05-18-21h23m12s1It’s a different experience seeing it from close up – and hearing the commentary. Elizabeth’s odd rolling gait was the director’s idea (the singer, Elza van den Heever, had initially gone for ‘royal’ but McVicar had other ideas), and according to Deborah Voigt, who does the interviews/introductions, the second act is supposed to take place ten years after the first. This was news to me. I don’t think there’s a ten year gap at any point during Schiller’s play – at least, I don’t remember one – and I had no idea there was supposed to be one in the opera. I don’t think it’s necessary; the drama, such as it is, works without it, and as far as structures for stories are concerned I’d rather have one seamless arc than two chunks with a hole in the middle. (Mary was involved in a series of plots in the 1580s before her execution in 1587 – maybe the idea is that those happened in the interim, making her innocence less obvious and changing the game a little post-confrontation scene? Maybe if I paid more attention to the libretto this would be obvious. Then again, Mary had been accused of all kinds of sketchy things even before the late 1570s (i.e. the end minus ten years) so I’m not sure that works either. This is probably one of those questions that is not worth pursuing.) But it does make some visual details of the second half easier to explain – the fact that Leicester’s hair and Cecil’s beard are grayer.

There was one thing that I suspected I would find slightly irritating close up on DVD: Mary’s constant trembling in the second half. I was right, although it wasn’t as distracting as I thought it might be. And besides, when DiDonato sings the way she does here, she can basically do whatever else she and the director want as far as visuals and I do not mind at all.