I was listening to an older recording of Don Carlos, one from the Théâtre du Châtelet from 1995 (Van Dam – José, not Jean-Claude – as Philip, Roberto Alagna as Carlos, Karita Mattila as Elisabeth, Hampson singing Posa, and Pappano conducting.)
I have never heard a rendition of this where Elisabeth’s big high notes in “de quels transports poignants” (text, in either French or Italian: “Ah!!”) are so bright and gleamy and seem to come as effortlessly as they do here for Mattila. It’s really kind of perfect, like Elisabeth’s poor happy little teenaged soul is just shining in the air there for a second or two. Also, Waltraud Meier (Eboli) cheats a bit on some of the ornaments in “au palais des fées” but that slower middle section of “o don fatal” was pretty magic. See also Posa’s death scene. Some day I will have listened to every extant recording of this opera, and if each of them has one or two moments like this that make them distinct, then the time will not have been misspent. Either that or I will have been institutionalized. One or the other.
Another thing I learned today: apparently in Finnish there is a word specifically for a car accident involving elk. This has nothing to do with Verdi, but I wanted to get it out there.