I’m thinking about emailing Steve Reich

I spent the afternoon trying to figure out whether the person who did these track divisions  a) is part of the tinfoil hat wing of opera fandom, who thinks, for example, that one ought to be able to catch the Marschallin in mid-word to truly appreciate the subtleties of the performanc b) knows something I do not about this opera c) used a silence-finder in some program like Audacity, but fucked up the settings such that they find silences between the heartbeats of hummingbirds on Mars or something like that.  





On the bright side, I have become much more closely acquainted with the libretto than I was previously. 

Also, now that I have Der Rosenkavalier cut up into tiny pieces, I can create little loops of the Marschallin saying “stop the clocks” over and over, or Sophie squeaking out “Himmel!” and make myself some little pomo short pieces or something. I guess. 

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