Well, don’t I feel dumb. A while back I ordered an “unofficial” recoding of Don Carlos from one of the usual places, because Sondra Radvanovsky was singing Elisabetta and I wanted to hear it. When I got it, I was disappointed when the first disc began with the San Yuste scene (“Carlo il somno imperatore”). I thought Act I was missing, because although I knew there were various longer and shorter versions of this opera with different sections added, removed or revised, I had never yet heard one that began at that point of the story. So, I wrote a polite email and they sent me another copy of the recording. This one was identical to the first. So I wrote another polite email and they offered to send me something else instead. I figured their recording was just missing a piece and that was that, so I accepted a bootleg of Norma also involving Sondra Radanovsky in its place. Because of the sort of operation this is, I didn’t have to return either iteration of Don Carlos.
Then, this morning, I had one of those “hm, I wonder” moments and I discovered that there is in fact a version of Don Carlos that omits Act I and begins with the San Yuste scene, and it was this truncated version that the San Diego opera elected to perform back in 2003. It’s a rarity in some sense, I guess, because I have never before either on CD or in an opera house encountered the opera in this particular form. After all, as these things go, Act I is a pretty good act. I rather like the Carlos/ Elisabetta duet – in fact, I was particularly looking forward to hearing Radvanovsky letting fly Elisabetta’s excited high notes toward the end.
So, I suppose we can say that I have learned something. We could also say, however, that I have probably convinced the customer service email person at PremiereOpera that I’m either an idiot or wicked sneaky – but fortunately, that is all in the past now and I can go and listen to my new recording of Norma. Ita sul colle, Druidi, etc. etc.