(Previous section here.)
But how does it sound? Over all, not bad. Veronique Gens’s Vitellia is
very tall very seductive. The way she handles the repetitions of “alletta” at the end of “deh, se piacer me vuoi” leave no doubt as to why Sesto finds her fascinating, and the series of silky-looking slip dresses she slinks around in don’t hurt either. Vitellia has flashes of anger – she tips over a chair at one point, but quickly dials it back when Sesto comes in – and the odd moment of vulnerability, but she’s neither supremely ambitious nor supremely nuts. The general emotional color of the performance is consistent with that domestic drama vibe I mentioned before.