Handel’s Rodelinda is one of my favorite operas. For me, it began with this DVD about which I should write some day, because I have basically memorized the thing, and I’d hate for all that obsessive listening to go to waste (It’s Roeschmann, Palmer, Chance et al. at the Munich opera in 2004).
Anyway. I went looking this past summer for additional recordings of Rodelinda. There is this one conducted by Alan Curtis with Il Complesso Barocco with Simone Kermes as Rodelinda, which is nice although sort of chilly (but I like Marie-Nicole Lemieux’s Unulfo). I like live recordings, though, and other than the Munich DVD referenced above there aren’t many really good ones.
Except the one I got from these nice people at the Goettingen International Handel Festival. It’s of a performance from 2000, conducted by Nicholas McGegan with Robin Blaze as Bertarido and Dominique Labelle as Rodelinda. It took about two months for them to send it because the person who ran their shop was on holiday when I submitted the order and by the time she got back my one Europe-friendly credit card had expired so it didn’t work, and we had several very polite emails about that, and then I gave her the new expiration date and paid for the thing and she sent it to me. Anyway. I liked it.
For those whose boats are floated by this type of thing, here are the points about it that stood out to me: